January |
U 11 |
- Introduction: Staging a Play
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T 16 |
- Gwynn, from "Introduction" (1-19)
- Sophocles, Antigone (Quiz/Response #1)
- Selected Online Resources for Antigone: "Study Guide Questions," "Selected Resources on Sophocles," "Antigone's Age: How old was Antigone? ," "Ismene - notes for a director or actress," and "Creon: The Importance of Being Persuaded."
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U 18 |
- Antigone
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T 23 |
Gwynn, " Medieval Drama," "Elizabethan Drama," and "The Comic Genres" (19-23). Background on Shakespeare and Shakespeare's Midsummer Night's Dream [CP1]
Selected Online Resources for A Midsummer Night's Dream:
- An annotated hyperlinked edition of A Midsummer Night's Dream provides scene-by-scene annotations for words, phrases, and references;
- "A Teacher's Guide to the Signet Classic Edition of William Shakespeare's A Midsummer Night's Dream" by Hazel K. Davis, Federal Hocking High School, Stewart, OH provides plot summary by act and scene, study questions, teaching suggestions; it is also available as a pdf document. (HMTL link courtesy of the Internet Archive.)
- "A Midsummer Night's Dream @ WebEnglish Teacher" provides links to web resources for teaching Shakespeare, including lesson plans provided by the Folger Shakespeare Library.
- Some background on the Elizabethan theater.
- "Mr. William Shakespeare and the Internet" is an award-winning site of resources on the Renaissance theater, Shakespeare, and his plays. For information about life in the Renaissance, also try the resources on "Elizabethan England" at the Shakespeare Resource Center and the links provided at Renaissance: The Elizabethan World.
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U 25 |
- Midsummer
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T 30 |
Midsummer; Performance Troupe #1 |
February |
U 1 |
- Midsummer; Historical Context for Midsummer [CP2] (Quiz/Response #2)
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T 6 |
Background on Restoration theater [CP3]; Behn, The Rover, Acts I and II [CP3]
Selected online resources for The Rover:
- A chronology of Behn's life.
- A recent production (Jan 22- Feb 20, 2005) of The Rover at The Chance Theater (O.C., California) adapts Behn's play for a contemporary setting and situation -- a review by Melinda Schuppman (Back Stage West), linked from the main page, provides some details about this production. Further information is available from the adaptor's site.
- The set design for a production of The Rover at the Willamette University Theater (Salem, Oregon) during the 1992-1993 season.
- Program information and photos from a production at the University of Michigan in 2004.
- A review of a 2002 production of The Rover set in contemporary New Orleans during Mardi Gras
- Several photographs of Jeremy Irons as Willamore in a production of The Rover with the Royal Shakespeare Company in 1986: Photo 1, Photo 2, Photo 3, and Photo 4. (Images courtesy of Live on Stage.)
- For cultural context, visit the Eighteenth Century England site (University of Michigan), especially the pages devoted to "Perspectives on Theatre Culture (1660-1737)" and "The World Upside Down: Eighteenth Century Masquerades," particularly its section on "Gender and Sexuality at the Masquerade."
- For fashion during the period of Behn's play, view fashion plates of a lady's French winter dress for 1677, a summer dress for 1678, and an informal winter dress for 1678. A milliner's shop c.1680 shows fancy items of men's wear on display, while other plates show men's fashion for the winter of 1678, the summer of 1678, and for a Spanish captain c.1700 -- and note that swords are part of these ensembles.
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U 8 |
- The Rover, Acts III, IV, and V (Quiz/Response #3)
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T 13 |
- The Rover
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U 15 |
The Rover; Performance Troupe #2 |
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T 20 |
- Gwynn, "Realistic Drama, the Modern Stage, and Beyond" (23-24); "Modern Drama" (xeroxed handout); Ibsen's A Doll House (Gwynn 201-264) (Quiz/Response #4)
- Selected online resources for A Doll House:
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U 22 |
- A Doll House; "Critical Context" readings (xeroxed handout)
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T 27 |
A Doll House; Performance Troupe #3 |
March |
U 1 |
- Glaspell, Trifles (Gwynn 265-278) (Quiz/Response #5)
- Selected online resources for Trifles: A well-chosen series of links assembled at Web English Teacher on "Susan Glaspell, Trifles."
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T 6 |
Trifles; Glaspell, "A Jury of Her Peers" [CP2]. Working (draft) thesis claim for Paper #1 (1-2 sentences in length) |
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U 8 |
- Wilder, "Preface" and The Skin of Our Teeth (Quiz/Response #6)
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- Selected online resources for The Skin of Our Teeth:
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M 12 |
Paper due by 5 p.m. to my mailbox in ECS 119 (4 pages) |
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T 13 |
- Skin of Our Teeth
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U 15 |
Skin of Our Teeth; Performance Troupe #4 |
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T 20 |
No Class -- |
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U 22 |
Spring Break |
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T 27 |
- David Ives, Sure Thing (Gwynn 546-556); Performance Troupe #5
- Selected online resources for Sure Thing:
- A series of study questions from Longman
- A production photo from a performance at Burlington County Community College, a photo from a performance by The Drama Group (Philadelphia, PA), and a photo of William H. Macy and Felicity Huffman performing Ives's one-act for the JAI Playwrights Conference (2004).
- A brief biography of Ives from Bedford/St. Martin's
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U 29 |
No Class -- Work on performance review |
April |
T 3 |
Researching and drafting the performance review |
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U 5 |
- Williams, A Streetcar Named Desire (Quiz/Response #7)
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- Selected online resources for A Streetcar Named Desire:
- A range of resources are available from the page created by the Hippodrome State Theater (Gainesville, FL), "Tennesse Williams, The Playwright," including a biography and links to letters exchanged between Williams and the actress Jessica Tandy (who played Blanche in the NY premiere), discussion topics, and information about the poetic references in the play.
- The Crossroads project for Streetcar at UVA provides information about and photos from the originial Broadway production, the original film production, and other productions, as well as links to information about Willliams and Streetcar.
- A web page on Williams' play, assembled by two instructors, includes a definition of expressionism, detailed study questions, an image of the Van Gogh painting Williams refers to in his stage directions. (Try the Internet Archive version of this page, if it does not load.)
- A discussion of the stage design for a recent production of Streetcar in Washington, D.C.
- A link to the transcript of a PBS discussion of the play in honor of its 50th anniversary.
- The New York Times theater review (4 Dec 1947) of the play's opening performance (notable for what is left unsaid about Williams' themes).
- A review of a production in London at the Footlight Club in 2003 which praises the actress for her interpretation of Blanche.
- A review of a production in Croatia includes two production photos showing the stage design as well as indicating the global reach of Williams' play.
- Some production photos from a performance which emphasized the role of light in its staging and interpretation of the play.
- Some interesting cultural history about the play's creation and its most famous productions, as well as information about the Stanley and Stella Shouting Contest that takes place each spring in New Orleans.
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T 10 |
- Streetcar
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U 12 |
Streetcar |
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F 13 |
Performance Review due by 5 p.m. to my mailbox in ECS 119 (For guidance for citing sources -- especially online resources -- see "Humanities: Documenting Sources.") |
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T 17 |
- Wilson, Fences (Gwynn 479-545) (Quiz/Response #8)
- Selected online resources for Fences:
- A detailed biography of Wilson with information about his plays.
- A biography compiled by Dartmouth College in honor of Wilson's visit there in 1998.
- The Arden Theater (Philadephia, PA) has a number of resources to supplement their current production of Fences: a discussion of Wilson's play cycle, of which Fences is a part; a study guide; and a link to production photos.
- Dr. Sharon Sellers provides a series of discussion questions by character and themes. (Link courtesy of the Internet Archive.)
- Professor Bill Dynes' "Fences" page has discussion questions and links to information about the Negro League.
- View the art of Romare Bearden (1912-1988), whom Wilson has cited as an influence on his own art: "The Family" (c.1941), "Family" (1988), "Home Time" (1970), "Roots Odyssey" (1976), "Alto Composite" (1974), and "Piano Lesson" (1983), as well as a photo of Bearden.
- View archival photos of African Americans during WWII, courtesy of the National Archives and Records Administration.
- Production photos from a production by the Curious Theater Company in 2001.
- Information about a current production of Fences at the Port City Playhouse (Alexandria, VA), which includes links to reviews of the performance. Note, too, the image they've chosen to advertise and represent the play.
- Production photos from a production of Fences in 2003 by Michigan State University Theater. Note the image they have selected to advertise and present the play.
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U 19 |
Fences; Historical and cultural context readings [CP2] |
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T 24 |
- Fences
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U 26 |
- Fugard, "Master Harold"...and the Boys (Gwynn 437-478) (Quiz/Response #9)
- Selected online resources for "Master Harold"...and the Boys:
- Professor Paul Brians' excellent Study Guide for Fugard's play.
- A web site on Athol Fugard, with links to information about his life and his plays.
- A brief biography, with links to two interviews with Fugard.
- A brief history of apartheid in South Africa.
- View a production photo and publicity poster for a production at the Silver Spring Stage in 2004.
- A review of a production from 2004 at the Salisbury Playhouse (UK) offers a production photo of the three actors and the stage set.
- View a series of production photos from a performance at West Virginia Wesleyan College from 2001, including photos of the set design.
- A photo of Fugard at London's National Theater shows in the background an early poster for the play, which features a photo of Fugard as a young man.
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May |
T 1 |
- "Master Harold"...and the Boys
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U 3 |
- Review for Final Exam
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M 7 |
- Final Exam: Short Answer and Essay, 9:40-11:30 a.m.
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